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	<title>Digital Content</title>
	<link>https://digitalcontentvalizmakingpublic.net</link>
	<description>Digital Content</description>
	<pubDate>Mon, 09 May 2022 10:38:34 +0000</pubDate>
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		<title>Stuck on the Platform</title>
				
		<link>https://digitalcontentvalizmakingpublic.net/Stuck-on-the-Platform</link>

		<pubDate>Mon, 09 May 2022 10:38:34 +0000</pubDate>

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Digital Sources


Stuck on the Platform: Reclaiming the Internet 
Geert Lovink&#38;nbsp;


(Valiz, Amsterdam, 2022)



THE VOID
Stuck on the Platform: Interview with Geert Lovink
from:&#38;nbsp;Institute of Network Cultures

Host: Chloë ArkenboutGuest: Geert LovinkDirectors and Producers: Tommaso Campagna, Jordi Viader GuerreroMusic: Daniel Leix-PalumboGraphic Design (background): Mieke Gerritzen

This page presents the digital sources mentioned in the footnotes of the book Stuck on the Platform, Reclaiming the Internet by Geert Lovink. The links present the extensive collection of references Geert Lovink has collected online during the writing process of the book. This collection of links corresponds to the order in which they appear in the footnotes in the chapters of Stuck on the Platform. This digital overview of the sources allows for further online exploration of Lovink's sources.&#38;nbsp;



Introduction
Phantoms
of the Platform
or Internet’s Muddy
Enlightenment


	
		
		
	
	
		
			
				
					


“The Internet 
is
inside us.”
Patricia Lockwood

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;The 12 Steps of Alcoholics Anonymous (AA)

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; The Great Recoil of Neoliberal Globalization
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; What Is Inverted Thinking?HUSTLETOLOGY


	
		
		
	
	
		
			
				
					

&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62;&#38;nbsp;twitter.com/geraldi_nej/status/1398266186790486017
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; Yanis Varoufakis: Capitalism Has Become ‘Techno-Feudalism’
 
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; Bruce Schneier on Security: Feudal Security

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Nathan Schneider: Online Communities Are Still Catching Up to My Mother's Garden Club


“Theory is the answer.But what is the question?”Johan Sjerpstra
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; 

	
		
		
	
	
		
			
				
					You’re Doing It Wrong: Notes on Criticism and Technology Hype

				
			
		
	

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; The Rise and Fall of the Palo Alto Consensus


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; The Threat of Authoritarianism in the U.S. is Very Real, and Has Nothing To Do With Trump

				
			
		
	

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Louis Armand,&#38;nbsp;Alienist Manifesto 10



“I love the smell of unruly memes 
in the morning.”@jamie_jk

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; 


	
		
		
	
	
		
			
				
					Tamara Kneese — Our Silicon Valley, Ourselves

				
			
		
	



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; The Internet Didn’t Kill Counterculture, You Just Won’t Find It On Instagram
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Collapsology 
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; Political theory: Hannah Arendt's courses on "The History of Political Theory" and "What is Political Philosophy?"
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;inhabit.global


Chapter 1The Anatomy of Zoom Fatigue


	
		
		
	
	
		
			
				
					


“Human kind is 
so resilient. For example, I have acclimated to Microsoft Teams.”Ian Bogost
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; 
One Concept Will Transform the Future of Work Post-COVID-19

				
			
		
	



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; Is Internet Fatigue Ruining Your Life?
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Remote Work? Demand Dial-Up”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Posthuman Bodies – Judith Halberstam and Ira Livingston
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Aesthetic Flattening”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; “Zoom Fatigue’ is Taxing the Brain: Here’s Why That Happens”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Google Trends: ‘Zoom Fatigue’

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Reason Zoom Calls Drain Your Energy”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“A Theory of Zoom Fatigue”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Embodiment and Social Distancing: Projects”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Square Roots: Paula Burleigh on Zoom and the Modernist Grid”





&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Fatiguing Effect of Camera Use in Virtual Meetings: A Within-Person Field Experiment”

&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62;&#38;nbsp; “Anti-Video-Chat-Manifesto”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Iveta Hajdakova “I’ll Just Never Know”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Stanford Researchers Indentify Four Causes for ‘Zoom Fatigue’ and Their Simple Fixes”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Nonverbal Overload: A Theoretical Argument for the Causes of Zoom Fatigue”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“How the Personal Computer Broke the Human Body”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;The Embodiment Studio&#38;nbsp;

 Tried to save myself but my self keeps slipping awayTried to save myself but my self keeps slipping awayTried to save myself but my self keeps slipping awayTried to save myself but my self keeps slipping away

Talking to myself all the way to the stationPictures in my head of the final destination

 ‘Into the Void’ – Nine Inch Nails

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Teaching Into the Void”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Tuning in to Marimba”


Chapter 2Requiem for the Network&#38;nbsp;



“In the final stage of his “liberation” and emancipation through the networks, screens and technologies, the modern individual becomes a fractal subject, both subdivisible to infinity and indivisible, closed on himself and doomed to endless identity. In a sense, the perfect subject, the subject without other— whose individuation is not at all contradictory with mass status.”
Jean Baudrillard


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“This is Fine: Optimism &#38;amp; Emergency in the P2P Network”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The year Social Networks Were No Longer Social: In Praise of Private Communities”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;&#38;nbsp;“Comment tout tout collombrer: Collapsology”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp; Collapsologie.fr
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Unlike Us”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp; 
Building Global Community - Mark Zuckerberg


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Good Old Days? Look Deeper and the Myth of Ideal Communities Fades”&#38;nbsp;


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Which One Wins: Central Planning or Adaptive Networks?”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;danah boyd:&#38;nbsp;“How ‘Context Collapse’ Was Coined: My Recollection”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Destroyer of Worlds”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Bullshit Assymetry Principle”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The End of Academia.edu: How Business Takes Over, Again”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;clusterduck.space&#38;nbsp;

Chapter 3Exhaustion of the Networked Psyche:
Probes into Online Hyper-Sensibilities


“I don’t need you, 
I have wifi.” Addie Wagenknecht



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“You Can Handle the Post-Truth: A Pocket-Guide to the Surreal Internet”


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“On Heteropessimism: Heterosexuality Is Nobody’s Personal Problem”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Interview with Jodi Dean on her 2019 book Comrade&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Depression, Self-Identity and Reality: Living in a Fictional Story Created by Social Media”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Posh Poverty (01)”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Inside Netflix’s Quest to End Scrolling: How the Company Is Working to Solve One of Its Biggest Threats: Decision Fatigue”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Review of:

Hartmut Winkler, Switching—Zapping: Ein Text zum Thema und ein parallellaufendes Unterhaltungsprogramm (Darmstadt: Verlag Jürgen Häusser, 1991). 


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“These 4 ‘Harmless’ Habits Are Sapping Your Brain Power”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Irony Politics &#38;amp; Gen Z”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Capitalism Killed Intimacy and Replaced It With PornHub”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“This ‘Black Mirror’ Episode Is the Show’s Sharpest Condemnation of the Tech World Yet” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Silicon Valley’s Crisis of Conscience”

&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62;&#38;nbsp; Nina Power, An online collection of published and unpublished writings:
There is, I must tell you, an absolutely unbelievable freedom in no longer worrying about what people say about you, and a glorious release in no longer feeling guilt-tripped or manipulated into holding a particular line. There is profound joy in realizing that the internet is just one tiny sliver of “reality,” and even then this reality is pretty questionable, and might be just a weird blip in the long history of humanity.

 
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Fortnite And Roblox Are Changing Social Media As We Know It”


Walt Whitman, “Song of Myself, 51” 
The past and present wilt—I have fill'd them, emptied them.And proceed to fill my next fold of the future.

Listener up there! what have you to confide to me?Look in my face while I snuff the sidle of evening,(Talk honestly, no one else hears you, and I stay only a minute longer.)

Do I contradict myself?Very well then I contradict myself,(I am large, I contain multitudes.)

I concentrate toward them that are nigh, I wait on the door-slab.

Who has done his day's work? who will soonest be through with his supper?Who wishes to walk with me?

Will you speak before I am gone? will you prove already too late?



Chapter 4Stuck on the Platform:Notes on the Networked Regression


“Every time I think I’ve sorted out my life, capitalism collapses.” @zinovievletter (Juliet Jacques)


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Platform Design Toolkit&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Platform Starts with Your Mindset”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“How Not to Know Ourselves”

“Platform data do not provide a direct window into human behaviour. Rather, they are direct records of how we behave under platforms’ influence.” Angela Xiao Wu


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Platform” on the list of Banished Words 2019:
“People use it as an excuse to rant. Facebook, Instagram, Twitter have become platforms. Even athletes call a post-game interview a ‘platform.’ Step down from the platform, already.”
Michael, Alameda, California


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;&#38;nbsp; Tim O’Reilly “A Tale of Two Platforms”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;&#38;nbsp;“The Trouble with Platforms”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Travel Websites Mislead by Falsely Declaring Few Rooms Remain”

&#38;nbsp;&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62; &#38;nbsp;pando.com/2020/06/29/trouble-platforms-google-amazon-facebook-apple-market-cap/.&#38;nbsp;
Ana Milicevic proposes we speak about platform oases and no longer use the walled garden metaphor: “There’s still life outside of a walled garden; outside of an oasis the air is arid and you’re lucky if you run into a tumbleweed here and there.”&#38;nbsp;




&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Medium Mediocre Life of Maya Millennial”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;The Platform Is The Enemy

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Zadie Smith on Fighting the Algoritm: ‘If you are under 30, and you are able to think for yourself right now, God bless you’”


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Ben Grosser: Planning the Exodus from Plaform Realism”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Ben Grosser’s projects:&#38;nbsp;Go Rando, Facebook Demetricator, Order of Magnitude,The Endless Doomscroller&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Foucault and the Genealogy of Pastoral Power”

 



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Neofeudalism: The End of Capitalism?”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Rich Millennials Plot the End of Civilization”

 Technofeudalism: Explaining to Slavoj Zizek why I think capitalism has evolved into something worse



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Inside the Whale: An Interview with an Anonymous Amazonian”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Everyman Their Own Platform”


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; “You May Be Using Mastodon Wrong”

Chapter 5
Minima Digitalia&#38;nbsp;

“The society that separates its scholars from its warriors will have its thinking done by cowards and its fighting by fools.”
Amir Taaki&#38;nbsp;



“What happens when a spectacular growth of techno-magic is paired with a similar explosion of misery at the level of mental economics?”
 Johan Sjerpstra

“Hypothesis: It’s time to downplay the media &#38;amp; communication aspect of “social media” and start to see platforms as technical compensation for the loss of the social and the destruction of the self. Social media has become “the social” itself. There are no non-digital social relations anymore.”


The starting point in the design of new social media apps is the group and the social, not the user. The tools will be goal-driven. What needs to be done? Not sharing for the sake of sharing. In this way, we move from profile to project, from like to decision, from behavioral to social psychology.&#38;nbsp;


“Once, the purpose of knowledge was to give form to reality; then its aim became the production of possibilities; now it has become nothing but a risk manager. Once, we were producers; then we became consumers; now we are products. Once, the body’s strength was exploited to produce goods; then the energy of desire was exploited to consume goods; now one’s creativity is exploited to produce the self as a commodity. Once, we had children; then we desired children; now we have become children. Once, love was a pact of mutual support; then it was a desire; now it is the price at which we sell ourselves. Once, machines were a means to our ends; then they were the ends for which we were the means; now they are oracles that interpret signs and whose prophecies we interpret. Once, we were in a disciplinary society; then we were in a society of control; now we are in a risk society.”
Anna Longo


“The call of self-expression turned the village of the internet into a city, which expanded at time-lapse speed, social connections bristling like neurons in every direction. At ten, I was clickingaround a webring to check out other Angelfire sites full of animal GIFs and Smash Mouth trivia. At twelve, I was writing five hundred words a day on a public LiveJournal. At fifteen, I was uploading photos of myself in a miniskirt on Myspace. By twenty-five, my job was to write things that would attract, ideally, a hundred thousand strangers per post. Now I’m thirty, and most of my life is inextricable from the internet, and its mazes of incessant forced connection—this feverish, electric, unlivable hell.”
Jia Tolentino


“This morning I checked how many hours I spent this week on YouTube, binge-watching doggies being saved, koalas being cute, American political news, plane crashes, music, celebrity news, motivational videos, the unicorn cult, vegan privilege videos. Yesterday I clocked 14 hours. I feared my nicotine addiction would be replaced by something else. And alas it happened. With great shame, I have to confess it turns out to be YouTube. I did feel I gave up on everything. It was so cozy, just sitting in my bed postponing everything, including getting a life.” 
Niklas Göke&#38;nbsp;


What’s the role of design in an age of chaos and complexity? What contribution does it make in times of economic crises and downturns? Is it the perfect tool to accelerate the collapse? This makes me wonder if design, as inherently speculative work, can only thrive when things are growing. Can we think against this tendency; can we design decline? We’re not talking here about clever ways to promote zero growth. What does it mean to give shape to entropy? This is a Virilio meets Warhol question. Aesthetics of the incident. How can we design contradictions that become unlivable, surfacing the lie? Why be smooth and pleasurable when the mushroom cloud of crisis is erupting before our very eyes?


What we cannot come to terms with is the mass conformity of the unique individual. Social media symbolizes “Lonely Crowd 2.0,” a decidedly busy form of loneliness. It is neo-feudalism, without the aristocratic class as ideal. Uneducated billionaires do not distinguish themselves through a sophisticated lifestyle, openly refusing to embody public values associated with enlightenment, high culture, ethics, and morals.


Chapter 6
Delete Your Profile, Not People Comments on Cancel Culture


“Guess who’s getting X’ed? You made a choice, that’s your bad. I’ll be honest, we all liars. I’m pulled over and I got priors. Guess who’s going to jail tonight?” Kayne West 





&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“What It Means to Get 'Canceled'”



&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Mark Fisher: “Exiting the Vampire Castle”&#38;nbsp;



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Sleeping Woke: Cancel Culture and Simulated Religion”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Eliot Ackerman et al. “A Letter on Justice and Open Debate”:


“The way to defeat bad ideas is by exposure, argument, and persuasion, not by trying to silence or wish them away. We refuse any false choice between justice and freedom, which cannot exist without each other. As writers we need a culture that leaves us room for experimentation, risk taking, and even mistakes. We need to preserve the possibility of good-faith disagreement without dire professional consequences.”&#38;nbsp;


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Sad By Design

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Club-Wise, A Theory of Our Time”
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Hoe De School een slagveld werd in de strijd tegen racisme in de nacht”&#38;nbsp;

De School “Live Podcast: Taking Responsibility (19:00 - 21:00 CEST)” 



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“La Haine, De School and Systematic Violence”&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Dekmantel Festival Criticized over Lack of Latin American Artist at 2019 Edition” 
&#38;nbsp;&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Toonaangevend radiostation Red Light Radio international in opspraak”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Red Light Radio Accused of Failing to Uphold Community Values”&#38;nbsp;


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Red Light Radio stopt met het maken van radio” 
(Red Light Radio Stops Making Radio)
&#38;nbsp;&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Hoe een kunstenaar carrière maakt onder aanhoudende beschuldigingen van aanranding en verkrachting” (How an Artist Makes A Career Under Assumptions of Sexual Assault and Rape”)

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Calling Out Dutch Art Institutions”&#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;KIRAC (Keeping It Real Art Critics)


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Geen Podium 
(No stage for the glorification of sexual violence)&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Call-out Culture/Cancel Culture”


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“De controverse rond Destroy My Face van Erik Kessels” 
(The controversy surrounding Destroy My Face by Erik Kessels)
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Appeasing the Gods of Posting” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Bernadette Corporation&#38;nbsp;


How to?Don’t know what I want, but I know how to get it. 
Sex PistolsAnarchy in the UK



Chapter 7Crypto-Art Annotations



“My ultimate dream job is to trade labor for capital.” @333333333433333 (Darcie Wilder) 



 


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;https://cryptoart.io/data

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Attack of the 50 Foot Blockchain” 
&#38;nbsp;&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Real Lesson of the GameStop Story is the Power of the Swarm” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Confessions of an Angry Middle-Aged Lady”

 



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“You’re Sleeping on Crypto Art” &#38;nbsp;
 




&#38;nbsp;“If you have a problem, use blockchain. Now you have two problems and a right-libertarian fan club.”
@aral (Aral Balkan) 

&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62;&#38;nbsp;twitter.com/fatherrich_/status/1343000927448535043:
According to Robert Saint Rich, 


the influence of social media has created a perspective in artists that they need to produce masterful quality works in a large enough quantity so that they can be shared on an almost daily basis. This is an impossible standard that forces artists to create uninspired work.


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“What it means to own an artwork governed by an NFT is not some settled fact.”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Hodl”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Code as Law: Contemporary Art and NFTs”

&#60;img width="56" height="56" width_o="56" height_o="56" data-src="https://freight.cargo.site/t/original/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" data-mid="144988051" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/56/i/8cffed95c331f046537a8284270f9f8604a3199b312df7fee5e64f0df8f3c73e/Link_Broken.png" /&#62;pando.com/2020/06/29/trouble-platforms-google-amazon-facebook-apple-market-cap/Ana Milicevic: “Snap and TikTok are great examples of next-gen alternatives to the current platform establishment but they still monetize in the same way as the incumbents,” noted Ana Milicevic, “what new platforms may emerge if the main monetization engine shifts away from user attention into something new?”



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“A Guide to Ecofriendly CryptoArt (NFTs)”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“NFTs as Micro-Social Networks: The Path to Crypto Adoption”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“How NFTs will kill Netflix”


Chapter 8Principles of Stacktivism&#38;nbsp;

“There is always room for the worst and that is why we must not lose hope.” 
Radu Aldulescu


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Protocols, Not Platforms: A Technological Approach to Free Speech”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;First use of the term stacktivism&#38;nbsp;



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;#PSMIManifesto

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Public Spaces, reclaiming the internet as a public domain&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Reclaim Your Face campaign&#38;nbsp;


Yuk Hui: “We must constantly ask what happens to our sensibilities when the sky is covered with drones and the earth with driverless cars, and exhibitions are curated by artificial intelligence and machine learning software. Is this futurism really something that speaks to us?”



&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp; “The Stack: On Software and Sovereignty”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“A Future for Intersectional Black Feminist Technology Studies” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“The Abstraction of Benjamin Bratton: Software, Sovereignty, and Designer Sociology” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Strelka Institute&#38;nbsp;


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Definition of a stack
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Re-wilding the Bauhaus: What Its Foundation Course Should Be Like Today”


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Niels ten Oever’s PhD thesis: ‘Wired Norms:&#38;nbsp;Inscription, resistance, and subversion in the governance of the Internet infrastructure’&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;&#38;nbsp;“Alternatives for the Internet: A Journey into Decentralised Network Architectures and Information Commons” &#38;nbsp;
&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Red Stack Attack! Algorithms, Capital and the Automation of the Common” 

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Public Stack Summit&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Redefining the European Stack”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Non-Facebook Proposal


“In this way we move from profile to project, from merely liking to collective decision making, from behavioral to social psychology, from influencers to cooperation, from shitstorms to debates.”&#38;nbsp;



Reconfiguring the Techno-SocialConclusion&#38;nbsp;





“A lot of people think the internet started good and just became bad, but I was there and it was always terrible.”
Ian Bogost 




&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;&#38;nbsp;“How Is It To Be Done?”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Public digital infrastructure should be at the core of Europe’s tech sovereignty strategy”

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;A definition of ‘instituting’&#38;nbsp;

&#38;nbsp;&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62; “Reimaginging the Platform Economy”&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;dataprevention.net&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Refusal, the theme of the 2021 transmediale festival

 


&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Platform Socialism&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Interview with Facebook Whistle-blower Frances Haugen

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Wall Street Journal: The Facebook Files

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Platform Realism&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Varia: Focusing on the development and mainstreaming of platform alternatives&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Gestures of Radical Imagination&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;Money over IP

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“How do we fix a broken internet?” Tech as a Collective Design Act&#38;nbsp;

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;restofworld.org

&#60;img width="50" height="51" width_o="50" height_o="51" data-src="https://freight.cargo.site/t/original/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" data-mid="144988050" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/50/i/973b306cef948da5285e4a1e11c7cea531421e0e90635c815dc9a12bda65e5f9/Link.png" /&#62;&#38;nbsp;“Inside Gaia-X: How chaos and infighting are killing Europe’s grand cloud project”&#38;nbsp;

Colophon

Stuck on the Platform is written by &#60;img width="50" height="51" src="https://ci3.googleusercontent.com/proxy/1uJz0AAmfDrDxmkMTiUVA6DOfPjaYdOcJnmr328cC3f6RolQAWV1t1EEn0gdjVAAbFGoRmDpnIVVbDEqPACuVftnaEvTyNgt5V5XtO7D3dlTUF_L0XkUoWsu7LhMYhVwVCpLtLa2wc9i-wwtU__iZrPXpk6FmiZtactz6_Vm=s0-d-e1-ft#https://freight.cargo.site/w/50/i/77b9200b0c8854a511cb3ec5448909864231dcfc59b2d44cc425e8d9fa8ef526/Link.png" style="width: 25.586028442382812px; height: 26.09774901123047px;" data-no-zoom="" data-scale="3"&#62;&#38;nbsp;Geert Lovink &#38;nbsp;Web Design and Graphic Design&#60;img width="50" height="51" src="https://ci3.googleusercontent.com/proxy/1uJz0AAmfDrDxmkMTiUVA6DOfPjaYdOcJnmr328cC3f6RolQAWV1t1EEn0gdjVAAbFGoRmDpnIVVbDEqPACuVftnaEvTyNgt5V5XtO7D3dlTUF_L0XkUoWsu7LhMYhVwVCpLtLa2wc9i-wwtU__iZrPXpk6FmiZtactz6_Vm=s0-d-e1-ft#https://freight.cargo.site/w/50/i/77b9200b0c8854a511cb3ec5448909864231dcfc59b2d44cc425e8d9fa8ef526/Link.png" style="width: 25.586028442382812px; height: 26.09774901123047px;" data-no-zoom="" data-scale="3"&#62;  Irene Stracuzzi
Design of link/broken link-symbols by Irene StracuzziWebsite built using
&#60;img width="50" height="51" src="https://ci3.googleusercontent.com/proxy/1uJz0AAmfDrDxmkMTiUVA6DOfPjaYdOcJnmr328cC3f6RolQAWV1t1EEn0gdjVAAbFGoRmDpnIVVbDEqPACuVftnaEvTyNgt5V5XtO7D3dlTUF_L0XkUoWsu7LhMYhVwVCpLtLa2wc9i-wwtU__iZrPXpk6FmiZtactz6_Vm=s0-d-e1-ft#https://freight.cargo.site/w/50/i/77b9200b0c8854a511cb3ec5448909864231dcfc59b2d44cc425e8d9fa8ef526/Link.png" style="width: 25.586028442382812px; height: 26.09774901123047px;" data-no-zoom="" data-scale="3"&#62; cargo.site, including the use of the kaleidoscope effect
Typefaces
Neue Haas Grotesk Regular
Medium / Serif System DefaultPublisher&#38;nbsp;Pia Pol, Astrid Vorstermans &#60;img width="50" height="51" src="https://ci3.googleusercontent.com/proxy/1uJz0AAmfDrDxmkMTiUVA6DOfPjaYdOcJnmr328cC3f6RolQAWV1t1EEn0gdjVAAbFGoRmDpnIVVbDEqPACuVftnaEvTyNgt5V5XtO7D3dlTUF_L0XkUoWsu7LhMYhVwVCpLtLa2wc9i-wwtU__iZrPXpk6FmiZtactz6_Vm=s0-d-e1-ft#https://freight.cargo.site/w/50/i/77b9200b0c8854a511cb3ec5448909864231dcfc59b2d44cc425e8d9fa8ef526/Link.png" style="width: 25.586028442382812px; height: 26.09774901123047px;" data-no-zoom="" data-scale="3"&#62;  Valiz, AmsterdamAmsterdam, 2022</description>
		
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